Exhibitions are the "main events" for galleries and museums to display works of art from local and international artists.
Artworks are exposed to students (on school excursions), corporate visitors and the general public on a daily basis.
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Workplaces need to go beyond drawing lines on the ground, and physically separate people from forklift operations. This needs to be achieved either by scheduling forklift operations at distinct times so that no people are in the vicinity at the time, or by installing physical barriers or providing exclusion zones in areas where forklifts operate." – WorkSafe Victoria
We've all watched the ads on TV, seen it on the news, listened to it on the radio or read an article in the newspaper about a workplace incident involving a forklift that has caused serious injury or death to an individual.
Barrier Group specialise in a massive range of bollards to suit any safety, security or architectural setting in your city, business, facility or warehouse.
In the past, bollards were primarily used at docks and marinas to moor boats when not in use but over the years the bollard has evolved to provide security, protection and architectural appearance.
Barrier Group manufactured their very first bollard (the Cam-Lok) in 1999 and over the years have perfected the quality, strength and purpose of their bollards to an increasing range of styles and options that suit any safety, security or architectural design element in your city, business, facility or warehouse.
The Studio Range by Barrier Group showcases a select range of products that have been designed specifically for the high end architectural market are manufactured in Australia to demanding standards.
Zephyr Bike Storage
In a busy city Zephyr is a stunning short or long term bicycle storage solution. Incorporate it into a cutting edge architectural setting and it becomes a sculptured bollard, a classic design element. In the town square or park, it is a gathering point, a place to stop, to chat, to bide a while with friends. Or then again, is it simply a beautiful piece of public sculpture, one that invites you to run your hands over its sumptuous metallic form, its smooth and generous curves?
